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In the high-pass filter stage, we can use a first order
high-pass filter design for simplicity. The function of the high-pass
filter is similar to that of the low pass filter. It is to let frequencies
above cutoff frequency through and attenuate any frequency components lower
than the cutoff frequency.
![]() The figure gives a first order high-pass filter with unity gain and
a cutoff frequency of 20Hz.
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A 5 band graphic equaliser can be used as an effective
form of tone control. Each band was implemented using a band pass
filter. In passive filters, there is usually a need for inductors
to design a band pass filter. Inductors are usually bulky and are
prone to electromagnetic pickup, we would like to avoid using inductors
as far as possible. Active filters are used in this design as they
do not need an inductor to implement a band pass filter. Many different
designs of band pass filters are available, and these can be easilty obtained
from any reference books on filter design. The following diagram
shows a design utilising a single amplifier and a bridged-T network.
For a total of 5 bands, we would need 5 such amplifier configuration,
which is then summed together using a summer.
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A calculator for the above butterworth filter is available for browsers supporting ActiveX technology. Click Here The output from the 5 bandpass filters are summed together using the summer amplifier configuration. ![]() |
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The buffer and volume control stage forms the output stage
of the preamplifier. The buffer amplifier acts as an impedance transformer
giving a low output impedance to prevent overloading by the power amlifier
stage. The volume control can be implemented using a 10k ohm logarithmic
potentiometer. A log potentiometer was chosen because our ears perceive
volume in a logarithmic manner.
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